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 Post subject: Re: Side dot jig....
PostPosted: Mon Apr 02, 2018 4:44 pm 
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Brazilian Rosewood
Brazilian Rosewood

Joined: Wed Apr 08, 2009 9:34 am
Posts: 3081
bcombs510 wrote:
Haans wrote:
Something about "over-jigging" never did appeal to me.


Agreed, Hans. My wife continually says “it’s supposed to be handmade” to get me off of obsessing over ridiculous details that no-one cares about in the end. :)

I spent some time recently thinking about what gets the most eye ball time on a guitar. Once the initial infatuation is over and the player stops marveling at the soundboard, rosette, inlays, etc... what are they stuck looking at? The side dots, side sound port (if there is one), the binding and purfling, etc... What else?

For me, with the side dots... a screw up is such a tremendous amount of work to fix for such a little process. I’m not confident like you folks that I won’t blow it. ;)


I like your wife's thinking. I'm probably one of the only ones around here that thinks like that too. Most are too preoccupied with razor sharp perfection like Marvin, Collings, Olsen, etc.
I'm stuck in 1915 with Orville. A little "wobble" here or there is not the end of the world.
Here's an F5C with the tortoise dots touching the black line of the purfling...yes, folks they are supposed to touch the line. Notice the 15th fret dot is just shy of touching...big deal.

Image

What do guitar players see while they are playing? I would guess most bluegrass standup players see the mic, audience. For us "sit down" players, binding, purfling, strings, rosette, idunno .
Personally, I like to watch my finners and marvel that I can still make them move...
Getting the confidence? Practice, practice, practice.



These users thanked the author Haans for the post: bcombs510 (Mon Apr 02, 2018 6:46 pm)
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 Post subject: Re: Side dot jig....
PostPosted: Sun Apr 08, 2018 10:12 pm 
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Cocobolo
Cocobolo

Joined: Mon Apr 14, 2008 3:20 am
Posts: 376
Location: Kapolei HI
First name: Aaron
Focus: Build
Status: Semi-pro
bcombs510 wrote:
sdsollod wrote:
Seems like I can't find a 2mm brad point bit anywhere...


Same here. The set of brad points that I have goes down to 1mm but the brad point stops as the 3mm bit. If you find a 2 or 2.5, please share!

I use my .093” downcut inlay bit, in the drill press. The “play” is because of the crappy drill press. Got a new one since.
https://m.youtube.com/watch?v=khjwDs8oOpc



These users thanked the author Aaron O for the post: bcombs510 (Sun Apr 08, 2018 10:48 pm)
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 Post subject: Re: Side dot jig....
PostPosted: Mon Apr 09, 2018 1:01 am 
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Contributing Member
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Joined: Fri Jul 10, 2009 4:44 am
Posts: 5398
First name: colin
Last Name: north
Country: Scotland.
Focus: Build
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Aaron O wrote:
bcombs510 wrote:
sdsollod wrote:
Seems like I can't find a 2mm brad point bit anywhere...


Same here. The set of brad points that I have goes down to 1mm but the brad point stops as the 3mm bit. If you find a 2 or 2.5, please share!

I use my .093” downcut inlay bit, in the drill press. The “play” is because of the crappy drill press. Got a new one since.
https://m.youtube.com/watch?v=khjwDs8oOpc

I got my 2 mm brad points from Bosch, hex shank

_________________
The name catgut is confusing. There are two explanations for the mix up.

Catgut is an abbreviation of the word cattle gut. Gut strings are made from sheep or goat intestines, in the past even from horse, mule or donkey intestines.

Otherwise it could be from the word kitgut or kitstring. Kit meant fiddle, not kitten.



These users thanked the author Colin North for the post (total 2): bcombs510 (Mon Apr 09, 2018 6:54 am) • Pmaj7 (Mon Apr 09, 2018 2:40 am)
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 Post subject: Re: Side dot jig....
PostPosted: Tue Apr 10, 2018 10:24 pm 
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Mahogany
Mahogany

Joined: Wed Mar 07, 2012 5:41 pm
Posts: 96
Location: Coquitlam, BC
First name: Kerry
Last Name: Werry
City: Coquitlam
State: British Columbia
Country: Canada
Focus: Build
Status: Amateur
Ok This is interesting...

Pop rivets?? do you just , well drill and Pop rivet? i would have thought the pressure might split something????

Kerry

nkforster wrote:
A few years back I spent a lot of time on making a jig that was perfect for a specific scale. Then I got really bored with working in large batches. It's just not for me.

Like the others, I do it by hand. Though I also do it almost all by eye. The distance between the frets I "split" and mark a vertical pencil line. That line, I split by eye, mark with whatever is handy - a brad, a nail, then drill with a 1.5mm bit. If I'm using pearl, it's a 1.5mm dot which looks very neat. Or if it's for export, I use a pop rivet, snip it off, sand it smooth and tap it flush. I "borrowed" that trick from Marty Jacobson, the mandolin maker. saw it on his blog or on a video. I forget. Clever feller Marty.

Nigel

http://www.nkforsterguitars.com

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My Luthier's Blog...http://klwstrings.blogspot.com


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 Post subject: Re: Side dot jig....
PostPosted: Wed Apr 11, 2018 12:39 am 
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Cocobolo
Cocobolo

Joined: Sat Mar 05, 2011 6:20 am
Posts: 277
Location: North East England
First name: nigel
Last Name: forster
City: Newcastle upon tyne
Zip/Postal Code: ne12at
Country: england
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You don't "pop rivet" anything. You just use the rivets as dot material.

The only pics I have are for the fretboard surface itself, but you get the idea. File the dot surface smooth, then tap flush, rather than trying to smooth after it is flush.

Image

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Image

Image

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Nigel

http://www.nkforsterguitars.com/instrum ... or-guitar/

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nigel

http://www.theluthierblog.com



These users thanked the author nkforster for the post: Pmaj7 (Wed Apr 11, 2018 12:51 pm)
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