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PostPosted: Tue Mar 03, 2015 9:37 pm 
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Cocobolo
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Kewl. I think it's an interesting subject, too.

As I said earlier, I've really wanted to try torrefied wood so I could decide for myself whether there's any there, there.

I recently restored a 1976 guitar. I wanted to use torrefied wood for the top, but couldn't find it anywhere. I tried contacting Bourgeois guitars, but never heard back. I tried contacting other wood suppliers who torrefy wood, but no one wanted to talk to me. Finally, I just re-topped the guitar with Bearclaw Stika spruce using a brace pattern not usually used on this particular brand and ended up with a really nice sounding guitar.

I acquired another guitar of the same brand which is a 1978 vintage. I was thrilled to see that John Hall of Blues Creek Guitars was selling torrefied top wood and I bought it as soon as I saw it. My plan is to rebuild this one using the same brace pattern and to compare the sound of the two guitars.

Granted, one will have Stika spruce and the other will have Red Spruce, so there's that difference. Ideally, a true comparison would use the same species of wood. At the very minimum, I will have achieved the goal of a torrefied top guitar. :)


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PostPosted: Tue Mar 03, 2015 9:55 pm 
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Brazilian Rosewood
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He's dead, Jim.

KAHN!!!!!!!!

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These users thanked the author Tai Fu for the post: Pmaj7 (Tue Mar 03, 2015 11:24 pm)
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PostPosted: Thu Mar 05, 2015 1:36 pm 
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To the best of my knowledge, there is no supplier currently offering true torrefied soundboards for sale to the small luthier community. There are a few sources for baked tops but there is a world of difference between baking and torrefication. Torrefication involves heating the soundboard in a vacuum or rarified atmospheric chamber to a temperature which exceeds the flash point of the wood. Only the absence of oxygen prevents the top from burning or scorching.

If anyone knows of a source for actual torrefied tops, I would love to know.

Mike Franks www.mjfranksguitars.com
www.facebook.com/mjfranksguitars


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PostPosted: Thu Mar 05, 2015 2:02 pm 
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that sounds like making charcoal to me

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Cat-gut strings are made from kitten guts, stretched out to near breaking point and then hardened with grue saliva. As a result these give a feeling of Pain and anguish whenever played, and often end up playing themselves backwards as part of satanic rituals.

Typhoon Guitars
http://www.typhoon-guitars.com


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PostPosted: Thu Mar 05, 2015 2:37 pm 
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Mike,
The bluescreekguitars website has a red spruce top for sale listed as "torrified"- but I don't know if his definition is the same as you are interested in.

Mike


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PostPosted: Thu Mar 05, 2015 5:00 pm 
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Enjoy

http://bourgeoisguitars.net/wp-content/ ... action.pdf

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PostPosted: Fri Mar 06, 2015 7:52 am 
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Old Growth Brazilian Rosewood
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Looks like it's student body torrified these days.

Who's selling the stuff?


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PostPosted: Fri Mar 06, 2015 9:42 am 
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One of the makers I know that is doing his own tests indicated that the guys booking the large autoclaves for tonewoods are still very inconsistent providing product. Another interesting point (at least I thought) was that the Martin process (rumor has it) only heats the wood to just under 300 degrees where as the process for architectural timbers gets the temps up to about 400 degrees. So that does bring up the question -- how are the pieces of torrified tone wood out there really being processed -- what is it?

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PostPosted: Fri Mar 06, 2015 12:51 pm 
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mcgr40 wrote:
Mike,
The bluescreekguitars website has a red spruce top for sale listed as "torrified"- but I don't know if his definition is the same as you are interested in.

Mike


That's where I got mine.

I can't imagine John would be selling baked wood and then call it 'torrefied'.


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PostPosted: Fri Mar 06, 2015 12:53 pm 
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kencierp wrote:


Good article. It reinforces everything I've read/heard about torrefied tone wood.


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PostPosted: Fri Mar 06, 2015 12:54 pm 
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Also how do you torrefy woods without it warping and turning into potato chips? Kiln drying wood is already a bit of art.

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Cat-gut strings are made from kitten guts, stretched out to near breaking point and then hardened with grue saliva. As a result these give a feeling of Pain and anguish whenever played, and often end up playing themselves backwards as part of satanic rituals.

Typhoon Guitars
http://www.typhoon-guitars.com


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PostPosted: Fri Mar 06, 2015 12:58 pm 
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Cocobolo
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kencierp wrote:
So that does bring up the question -- how are the pieces of torrified tone wood out there really being processed -- what is it?


According to Yamaha's patent, the time/temp/pressures used are dictated by the species and dimensions of the wood.

The temps they use range from 120 to 200° C. (248 to 392° F)


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PostPosted: Fri Mar 06, 2015 1:11 pm 
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Tai Fu wrote:
Also how do you torrefy woods without it warping and turning into potato chips? Kiln drying wood is already a bit of art.


I believe the wood is kiln dried first, then put into the autoclave for torrefaction.

According to the Yamaha patent, the torrefaction process relieves residual strains which cause warps. It says there are methods for torrefying raw wood and a different method for torrefying already-shaped wood.

US 6667429 B2 wrote:
The high pressure steam contains a large amount of active species such as hydrogen ions, hydroxide ions, hydrogen radicals, and hydroxide radicals, and hydrolyzes cellulose, hemicellulose, and lignin which are main components of wood. When wood is put under the above conditions, the above active species are impregnated into the wood with the steam, and subsequently, hydrolyze hemicellulose, partially repolymerize lignin, decompose amorphous portions of cellulose and rearrage the decomposed portion. Accordingly, residual strain in the wood is resolved, and the degree of crystallinity and the width of micells increases. As a result, the dynamic modulus of elasticity (E) increases and the loss angle (tan δ) decreases. Furthermore, since a part of the decomposed component and extracted component of the wood is removed with water, density (ρ) decreases.

...

The wood retaining with the high pressure steam is treated by slowly decreasing the pressure and the temperature to room pressure and temperature so that the wood does not break due to pressure differences between inside and outside of the wood, and subsequently, the wood is treated by a drying step. The drying step is carried out by a known method for drying wood such as air-drying, heating-drying, and heating and decompression-drying, or a combination thereof. Furthermore, the desired moisture content is determined in response to the purpose of the modified wood being obtained, in particular, the moisture content is preferably set at 5 to 15% by weight.



These users thanked the author DanSavage for the post: Gasawdust (Mon Mar 09, 2015 7:22 am)
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PostPosted: Fri Mar 06, 2015 2:12 pm 
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‘Torrefaction can’t make
a bad piece of wood
sound good.’
—DANA BOURGEOIS

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PostPosted: Fri Mar 06, 2015 2:15 pm 
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Torrefaction is no substitute for overbuilding guitars either.

_________________
Cat-gut strings are made from kitten guts, stretched out to near breaking point and then hardened with grue saliva. As a result these give a feeling of Pain and anguish whenever played, and often end up playing themselves backwards as part of satanic rituals.

Typhoon Guitars
http://www.typhoon-guitars.com


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PostPosted: Fri Mar 06, 2015 3:46 pm 
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Cocobolo
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kencierp wrote:
‘Torrefaction can’t make
a bad piece of wood
sound good.’
—DANA BOURGEOIS


From what I gather, the converse is true:

Torrefaction can make a good piece of wood sound better.


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PostPosted: Fri Mar 06, 2015 5:57 pm 
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If I have access to an autoclave, is there a recommended way to process wood into torrefied wood? I guess we're all wondering the same thing but I'd be willing to try it out.

Best,

Jonas


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PostPosted: Fri Mar 06, 2015 7:11 pm 
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There you have it. If torrefaction can't make a bad piece of wood sound good, then it can't make a good piece of wood sound great, and it can't make a great piece of wood sound greater. End of story. Turn off the ovens, fire the ad agency and get back to work. bliss

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PostPosted: Fri Mar 06, 2015 7:34 pm 
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I think you hit the nail squarely on the head there. If the quote about a bad piece of wood is true, then the rest of your statement just stands to reason.

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PostPosted: Fri Mar 06, 2015 7:45 pm 
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:D Don't knock it til you try it!


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PostPosted: Fri Mar 06, 2015 8:00 pm 
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Maybe I can cook some uke tops in the autoclave at the Vet clinic my wife works at. I'm sure her boss wouldn't mind! :)

Alex

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PostPosted: Sat Mar 07, 2015 3:30 am 
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No expert here but I played a bourgeois aged tone dread. It was an interesting guitar. It didn't sound like an old Martin but didn't sound like a new one either. It had a mellow and dry tone, certainly reminiscent of an old guitar but certainly not the same. Either way it was a great sounding guitar and usually a brand new dread is probably my last favourite guitar sound.


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PostPosted: Sat Mar 07, 2015 3:42 pm 
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meddlingfool wrote:
:D Don't knock it til you try it!

For the record, I'm not knocking torrefaction and have no doubt that the process can alter a piece of wood enough to potentially change a guitar's tone. Whether or not the instrument then sounds "better" is a subjective matter. As always, there's the rub.

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PostPosted: Sat Mar 07, 2015 5:11 pm 
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Indeed! I'll settle for different and identifiable, like the difference between rosewood and mahogany.


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PostPosted: Sun Mar 08, 2015 8:35 pm 
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Since the torrefication process seemed to be too complicated to duplicate in my small shop, I got around it by building a time machine. This has allowed me to go 40-50 years into the future, and bring back naturally aged tops which we are very happy with. You have heard of NOS (New Old Stock) well this is ONS (Old New Stock). If anyone is interested, I am offering a discount to OLF members of 15%, the problem is we need to list these tops in 2065 dollar equivalents.

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