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PostPosted: Sat May 11, 2013 9:41 pm 
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Brazilian Rosewood
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In case anyone is wondering what I've been up to.
This is tricky stuff! So far so good. Anyone know of a good low relief carving class?


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PostPosted: Sat May 11, 2013 10:11 pm 
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Brazilian Rosewood
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Sort of seems like you've already gotten beyond what you'd learn in a class?

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PostPosted: Sat May 11, 2013 10:27 pm 
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A class? Why? Are you looking to teach?!!!!

Gorgeous work! So this is the back of the head stock I suppose. What does the face look like? I've thought of doing a bti of carving on the back of one of mine, just as a way to hide a dent. But nothing this ellaborate.

Well done, can't wait to see it finished.

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PostPosted: Sat May 11, 2013 10:31 pm 
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Brazilian Rosewood
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I checked out the local carvers stuff a while back but wasn't all that impressed with what was going on. Not much out there in this style of low relief carving. I've pretty much been looking at pics and looking at engraving youtubes and watched the Chris Pye videos on his site. Read some books on carving and scrolls. Would like to find somewhere that also had teaching on the design as well as carving technic. I have to call a place in Mass that might be able to get me what I'm in mind of learning.


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PostPosted: Sat May 11, 2013 10:43 pm 
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Brazilian Rosewood
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Spyder wrote:
A class? Why? Are you looking to teach?!!!!

Gorgeous work! So this is the back of the head stock I suppose. What does the face look like? I've thought of doing a bti of carving on the back of one of mine, just as a way to hide a dent. But nothing this ellaborate.

Well done, can't wait to see it finished.



This is just practice for the front. Doing this basically self taught can be time consuming and leaves me open for discovering by mistakes how to do things correctly. Already pretty much taught myself building guitars from reading books and mostly forums and having made friends on forums share their knowledge with me. I ain't getting any younger and I think a good class might save me some time. :)


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PostPosted: Sat May 11, 2013 11:56 pm 
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That's amazing Chris. Nice work!

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PostPosted: Sun May 12, 2013 12:06 am 
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Very nice. Great work there!...Mike

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PostPosted: Sun May 12, 2013 12:12 am 
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So are you teaching the class Chris!?!?!

Seriously though that is amazing work, I understand that wanting to find the right way to do it, but you sure seem to have a good feel for it already.

Good luck, cant wait to see the front!

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PostPosted: Sun May 12, 2013 6:23 am 
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See if you can find a high end gunsmith/stocker/engraver in your area. Could be one guy or the gunsmith may send work out. The engraving is incredibly complex lots of great design and the stocking can have quite a bit checkering and carved hunting scenes with inlay. Good luck your well on your way.


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PostPosted: Sun May 12, 2013 7:33 am 
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Brazilian Rosewood
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I also ran through a lot of gun carving youtubes too. Most of them are power carving theses days. I also have that equipment and a gravermax. I'm more interested in mastering using hand tools now although I use a power hand piece to do the stippling at this point. I'm looking into a way to use the gravermax to see if I can adapt palm chisels to work with my hand piece, the set of gouges for it is pretty limiting. The nice thing about using handtools is that they can go anywhere with you without the need for a compresser or power and they cut with sharper edges. I also use some gun checkering tools for cutting straight lines. I'll probably try some gun stock carving along the way too. Could be a source of income if you know what I mean.
I'm thinking David Calvo ,
http://www.davidcalvo.com/woodcarving_classes.html
might be a worthwhile class to check out.


Last edited by Chris Paulick on Sun May 12, 2013 12:54 pm, edited 1 time in total.

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PostPosted: Sun May 12, 2013 8:01 am 
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Forum member Kent Bailey has posted some great relief carving in his guitars and would probably be worth talking to.
( eg http://www.kabart.com/index_files/Page9550.htm)

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PostPosted: Sun May 12, 2013 8:47 am 
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Looks excellent so far!

I don't think you'll find a step by step sort of guide for carving 'heads' like you can find for carving leaves or scrolls, etc. A good eye is going to help you more than a formula. Art is a skill that takes time and dedication to develop, like playing an instrument. Taking a drawing class is always a good idea.

If you don't have patience for that, a prudent approach would be to look at some historical examples and copy them on scrap until you are satisfied. There are endless classical sources for low relief carving, Trajan's column for instance. There's a lot of other stuff to look at from the renaissance, as well as the 19th century.

David Calvo looks like he knows his stuff.


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PostPosted: Sun Jun 02, 2013 7:25 pm 
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Brazilian Rosewood
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I managed to get some carving in today. Should be able to finish this up by next weekend.


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PostPosted: Sun Jun 02, 2013 7:36 pm 
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Chris,

That looks great. Are you going to bring that to the meeting at the end of June? I'd love to get a close look at it. Maybe a demo?

John


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PostPosted: Sun Jun 02, 2013 7:40 pm 
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Thanks, I'm just not sure I feel confortable with it. I'm not sure of how to properly do things and I don't feel like I really know what I'm doing sometimes. I'm sure there are tricks to doing scrolls and stuff like that.

John, Where's the meeting and when?


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PostPosted: Sun Jun 02, 2013 8:05 pm 
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The meeting is on June 29th at Jims.

Here is the link to the thread.
viewtopic.php?f=10112&t=40379

It would be cool if you can make it. Plus I really want to take a look at this crazy carving thing you have going on.


Last edited by John Killin on Mon Jun 03, 2013 7:44 am, edited 1 time in total.

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PostPosted: Sun Jun 02, 2013 8:13 pm 
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Brazilian Rosewood
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Thanks John...


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PostPosted: Sun Jun 02, 2013 8:46 pm 
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Whoa Chris...that is very sweet!

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PostPosted: Sun Jun 02, 2013 8:50 pm 
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Koa
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Chris.... Love it....you're teaching yourself a form of art. Seems like that's how most of us got into building guitars. I think there's a huge benefit to trying to solve the major challenges in a new technique by trying to figure them out first, then taking a class and seeing what the old timers have learned over time... I'd much rather do it that way than taking the class first. I just think I learn more by appreciating the really challenging parts first, then learning the tricks of the trade...


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PostPosted: Sun Jun 02, 2013 10:21 pm 
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Whoa, Nellie! That's gorgeous, Chris. Whatever you're doing it's working beautifully. Keep going, buddy.

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PostPosted: Sun Jun 02, 2013 11:28 pm 
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That is some incredible carving Chris! I really like the design as well. I echo the others in saying that you seem very accomplished. Well done!


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PostPosted: Sun Jun 02, 2013 11:43 pm 
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Cris, that looks great! How do you finish it?

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PostPosted: Mon Jun 03, 2013 2:40 am 
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Koa
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http://www.agrellcarving.com/
http://www.agrellcarving.com/
I don't know if he is still teaching but I studied under Ian and he changed my world. That was years ago. I hope he is still teaching but I don't see it on his website.

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PostPosted: Mon Jun 03, 2013 9:10 pm 
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Brazilian Rosewood
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Not sure about the finish yet.


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PostPosted: Tue Jun 04, 2013 3:15 pm 
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All I can say is wow !!! That is beautiful

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