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PostPosted: Mon Jan 10, 2011 8:32 pm 
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Hey all.....

I need a guitar stand that will work well when I am photographing my guitars.

I want it to be as invisible as possible - but don't want to risk any tipping of the guitar.

I don't want the type of stand that has the open horseshoe shaped neck support as it will show up too much and I don't want to have to spend a lot of time in photoshop.

I saw this one and thought it might be nice - but I'm sure the tips will wrap around the bottom of the guitar.

http://www.sweetwater.com/images/items/ ... xlarge.jpg

Looking for suggestions.

Thanks

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PostPosted: Mon Jan 10, 2011 8:37 pm 
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Black fishing line and Photo shop.


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PostPosted: Mon Jan 10, 2011 8:39 pm 
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Photography definately isn't one of my strong suits, but I believe this stand may work for you.
http://accessories.musiciansfriend.com/product/Fender-Acoustic-Guitar-Folding-Stand-?sku=454511
I use one on stage. You can see it, with a guitar in this picture. I suppose the stand you have linked would be similar.
http://brackettinstruments.com/Sitka%20Walnut2.JPG

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PostPosted: Mon Jan 10, 2011 8:41 pm 
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Wonder if you can take the little feet off this one

Image

Or how bout this one

Image

And I'm sure it would take next to nothing to make one like Esteban's

Image

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PostPosted: Mon Jan 10, 2011 9:26 pm 
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Hey Paul, what I notice about most git photos I've seen have a distracting backround.
Get some dark, rich color fuzzy cloth for the backround.
Black or burgundy, etc.
Focus the eye on the guitar, not the backround.
Fishing line sounds good.


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PostPosted: Mon Jan 10, 2011 9:46 pm 
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alan stassforth wrote:
Hey Paul, what I notice about most git photos I've seen have a distracting backround.
Get some dark, rich color fuzzy cloth for the backround.
Black or burgundy, etc.
Focus the eye on the guitar, not the backround.
Fishing line sounds good.



Alan - thanks for the suggestion - you probably haven't seen my photography.

I have a LARGE piece of black velvet I use. I totally agree with you - make the background disappear.

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PostPosted: Mon Jan 10, 2011 10:35 pm 
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One step easier, and more invisible. Use a .250 dowel. I'll fit in a pickup jack, and if you just pull the end pin where no pickup was installed it fits there too. make a 1/4 hole in your background paper/cloth/whatever and you've got a holder that is invisible, sturdy, and cheap. Underneath is just a piece of plywood with a hole drilled to accept the dowel as well.

Image

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PostPosted: Mon Jan 10, 2011 10:37 pm 
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I'm with the Padma on this one...Photoshop, (Okay, GIMP actually, since my PS software was wiped by a computer "tech" a while back along with everything else on the machine [headinwall] )...with a little time in the manual it'll do wonders for removing the stand...I tried fishing line but it made me nervous! My setup now is a roll of paper hung about 6' high, and then smoothly draped out over one of my benches and down to the floor...unseen beneath the paper over the benchtop is a 5/8" or so hole that the endpin of the guitar (if installed) sits in...a small "pad" of modeling clay on either side of the endpin keeps the guitar from moving on the paper...my "safety" is then the fishing line from the D and G tuners up to an eyehook in the ceiling....

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PostPosted: Mon Jan 10, 2011 10:44 pm 
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Sorry John if I sound like a parrot! I was posting while you were and you beat me to the draw! :D Did you take that shot? Beautiful guitar and beautiful photo! [:Y:] How've you been?

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PostPosted: Tue Jan 11, 2011 2:29 am 
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Ok for those of you who don't have faith in fishing line...use pig iron wire, bailing wire or rebar wire...same difference, and suspend the instrument.

Use a 35 mm and rack focus to fuzz out the back ground, or use photo shop or stretch cloth or paper behind the instrument.

I have a big bolt of indigo fabric that I stetch out along celing, down wall and accross floor, suspend the instrument by wire or fishing line. this permits all sorts of shots from really unique view points.

Remember to photo shop out the pig wire.


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PostPosted: Tue Jan 11, 2011 4:46 am 
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the Padma wrote:
Ok for those of you who don't have faith in fishing line...use pig iron wire, bailing wire or rebar wire...


Or be a real man and use this

Image

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PostPosted: Tue Jan 11, 2011 5:38 am 
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Hope those are safety shoes that Popeye is wearing while he's working in the chain locker......!!!

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PostPosted: Tue Jan 11, 2011 6:24 am 
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I just don't use one. I prefer more of a still life look with furniture, nik-naks, dried flowers and the instrument leaning or supported by something behind it rather than the "elvis on velvet" look.


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PostPosted: Tue Jan 11, 2011 8:17 am 
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My pro, who also happens to be my cousin, uses a backgroound that is about ten feet behind the guitar, and then suspend with clear fishing line from a bar in front of that. Then photoshop it out as required ....More important (IMO) is the right lighting and its angles for the shots we get - he has all the required stuff at his studio.

For peghead and other closeups we hold the guitars as required.

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PostPosted: Tue Jan 11, 2011 11:20 am 
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I'm with Haans and Filippo. Same with furniture shots. I like things in their natural settings.

Frank Ford has some photo tips on his site I seem to remember. He suspends with fishing line as the Padma has suggested.

L.

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PostPosted: Tue Jan 11, 2011 11:55 am 
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I'm a background man, (or "lack" thereof)...what I mean is, I want the observer's attention to be on the guitar and not what's behind it...I was using a white background with just the faint shadow of the guitar visible...lately, I've gone to a more traditional but understated "portrait" type of background...

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PostPosted: Tue Jan 11, 2011 12:18 pm 
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Link Van Cleave wrote:
Frank Ford has some photo tips on his site I seem to remember. He suspends with fishing line ..............

That's the way I approach it. I built Franks "light box" & use heavy (20lb) monofilament in front of a monochrome background, which I then erase & replace with black. (I too like the idea of the guitar being the "focus"....no background noise.)
Very much an amateur, but reasonably happy with the results.

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PostPosted: Tue Jan 11, 2011 12:29 pm 
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Dave Stewart wrote:
Link Van Cleave wrote:
Frank Ford has some photo tips on his site I seem to remember. He suspends with fishing line ..............

That's the way I approach it. I built Franks "light box" & use heavy (20lb) monofilament in front of a monochrome background, which I then erase & replace with black. (I too like the idea of the guitar being the "focus"....no background noise.)
Very much an amateur, but reasonably happy with the results.



I'd like to know more about this light box please.

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PostPosted: Tue Jan 11, 2011 1:59 pm 
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L. Presnall wrote:
Sorry John if I sound like a parrot! I was posting while you were and you beat me to the draw! :D Did you take that shot? Beautiful guitar and beautiful photo! [:Y:] How've you been?


Thanks.

I did take the photo. My setup is very amatuer. Aside from my camera (which can be had for like $350 or so these days) I've got about $40 invested in my setup. It's for sure not the best in the world, but it does an adequate job.

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PostPosted: Tue Jan 11, 2011 2:08 pm 
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I've often considered something like this, but my wife doesn't approve. :lol: :lol: :lol:
Image

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PostPosted: Tue Jan 11, 2011 2:17 pm 
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Paul Burner wrote:
Dave Stewart wrote:
Link Van Cleave wrote:
Frank Ford has some photo tips on his site I seem to remember. He suspends with fishing line ..............

That's the way I approach it. I built Franks "light box" & use heavy (20lb) monofilament in front of a monochrome background, which I then erase & replace with black. (I too like the idea of the guitar being the "focus"....no background noise.)
Very much an amateur, but reasonably happy with the results.


I'd like to know more about this light box please.

Check out frets.com photo studio page
http://www.frets.com/FRETSPages/General ... tudio.html
The only difference is that I use (10) 100w "natural light" incandescents rather than twistys. (Better white balance & colour rendition, but it can get hot!)

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PostPosted: Tue Jan 11, 2011 3:12 pm 
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John Mayes wrote:
L. Presnall wrote:
Sorry John if I sound like a parrot! I was posting while you were and you beat me to the draw! :D Did you take that shot? Beautiful guitar and beautiful photo! [:Y:] How've you been?


Thanks.

I did take the photo. My setup is very amatuer. Aside from my camera (which can be had for like $350 or so these days) I've got about $40 invested in my setup. It's for sure not the best in the world, but it does an adequate job.



Hi John! Well, the results sure aren't amateur! [:Y:] Is that a natural shadow or photoshop? I think the lighting is just right there...

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PostPosted: Tue Jan 11, 2011 3:42 pm 
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L. Presnall wrote:
John Mayes wrote:
L. Presnall wrote:
Sorry John if I sound like a parrot! I was posting while you were and you beat me to the draw! :D Did you take that shot? Beautiful guitar and beautiful photo! [:Y:] How've you been?


Thanks.

I did take the photo. My setup is very amatuer. Aside from my camera (which can be had for like $350 or so these days) I've got about $40 invested in my setup. It's for sure not the best in the world, but it does an adequate job.



Hi John! Well, the results sure aren't amateur! [:Y:] Is that a natural shadow or photoshop? I think the lighting is just right there...


Many thanks.

The light is bounced off a reflective umbrella. The light source is a Craftsman halogen stand light. The background is just photo paper.

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PostPosted: Tue Jan 11, 2011 4:02 pm 
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Sweet! [:Y:]

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PostPosted: Tue Jan 11, 2011 5:11 pm 
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Here's an example of a disappearing background that I'm experimenting with...


You do not have the required permissions to view the files attached to this post.

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